Klaudio is 13 and dreams of becoming a basketball player. On a day like any other, the roar of a car breaks the silence of the countryside where he lives with his family: Albania is no longer a safe place.
The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …
But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…