Awards 2025

DEA OPEN AIR 2024 - NOMINATIONS and WINNERS

DEA 2025 – AWARDS

 

  1. DEA for the Best Film (Feature Film Competition)

“Commitment Hasan” – Semih Kaplanoglu (Turkey)

 

  1. DEA for the Best Director (Feature Film Competition)

 Semih Kaplanoglu – “Commitment Hasan” (Turkey)

 

  1. DEA for the Best Script (Feature Film Competition)

Mykaela Plotkin – “Senioritas” (Brasil)

 

  1. DEA for the Best Camera (Photography) (Feature Film Competition)

Dusan Kardalevski – «Lena and Vladimir» (Northen Macedonia)

 

  1. DEA for the Best Male Actor (Feature Film Competition)                                                                 

Umut Karadag – «Commitment Hasan» (Turkey)

 

  1. DEA for the Best Female Actor (Feature Film Competition)                                                                 

Sara Klimoska – «Lena and Vladimir» (Northen Macedonia)

 

  1. SPECIAL MENTION for the STORY (Feature Film Competition)  

Bashkim Hoxha – “Dancing with the Shadows”(Albania)

 

  1. DEA for the Best Film (Short Film Competition)

Sara” – Ariana Andrade Castro (Spain–Peru)

 

  1. DEA for the Best Film (Student Film Competition)                                   

Blessed Are the Pure in Heart” – Matteo Giampetruzzi  (Italy)

 

  1. SPECIAL MENTION (Student Film Competition)  

Mauro Zaçe – “Path”(Albania)

 

  1. The Media Award (Special Prize) (Short Film Competition)

“And That‘s for This Christmas”Peter Vulchev (Bulgaria)

 

  1. The Media Award (Special Prize) (Feature Film Competition)

“Dancing With the Shadows” – Pluton Vasi (Albania) 

 

  1. AUDIENCE SPECIAL AWARD

Karafil Shena – Dancing with the Shadows (Albania)

 

  1. ENCOURAGING AWARD

“Sharing” – Granit Dragaj (Kosovo)

 

  1. DEA – Gratitude Award (Lifetime Achievement Award)

SAIMIR KUMBARO

 

  1. DEA Homage (Commemorative Award)                                                  

MARGARITA XHEPA

The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …

But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…

fb. ig. yt.