Awards 2022

DEA OPEN AIR 2021 - NOMINATIONS and WINNERS

  1. DEA for the best Film (Feature Film Competition)

NOMINATIONS

Despite the Fog – Goran Paskaljevic, Italy 2019
Borrowed White – Sebastian Ko. Germany 2021
Borders, Raindrops – Bosnia&Hercegovina/Montenegro/Serbia 2019

WINNER: Despite the Fog – Goran Paskaljevic, Italy 2019

 

  1. DEA for the best director (Feature Film Competition)

NOMINATIONS

Sebastian KO /Borrowed White – Germany 2021
Goran Paskaljevic /Despite the Fog – Italy 2019
Nikola Mijovic, Vlastimir Sudar /Borders, Raindrops – Bosnia&Hercegovina/Montenegro/Serbia 2019

WINNER: Sebastian KO /Borrowed White – Germany 2021

 

  1. DEA for the best script (Feature Film Competition)

NOMINATIONS

Goran Paskaljevic / Marco Alessi / Filip David  – Despite the Fog – Italy 2019
Ainhoa Rodriguez – Mighty Flash –  Spain 2021
Nikola Mijovic/Vlastimir Sudar – Borders, Raindrops  – Bosnia & Hercegovina /Montenegro/ Serbia 2019

WINNER: Goran Paskaljevic / Marco Alessi / Filip David  – Despite the Fog – Italy 2019

 

  1. DEA for the best camera (photography) (Feature Film Competition)

NOMINATIONS

Andreas Köhler / Borrowed White – Germany 2021
Milan Spasic / Desprite the Fog – Italy 2019)
Milos Hacimovic / Borders, Raindrops – Bosnia&Hercegovina /Montenegro/ Serbia 2019

WINNER: Andreas Köhler / Borrowed White – Germany 2021

 

  1. DEA for the best actor (Feature Film Competition)

NOMINATIONS

Florist Bajgora / Borrowed White – Germany 2021
Vasjan Lami / Dy luanë drejt Venecias – Albania 2021
Kastriot Çaushi / Dy luanë drejt Venecias – Albania 2021

WINNER: Florist Bajgora / Borrowed White – Germany 2021

 

  1. DEA for the best actress (Feature Film Competition)

NOMINATIONS

Donatella Finoçhiaro (Despite the fog – Italy 2019)
Susanne Wolf (Borrowed white – Germany 2021)
Kristina Stevovic (Borders, Raindrops – Bosnia Hercegovina /Montenegro / Serbia 2019)

WINNER: Donatella Finoçhiaro (Despite the fog – Italy 2019)

 

  1. DEA for the Best Film (Short Film Competition)

NOMINATIONS

Just like Water – Manos Triantafillakis, Greece 2021

A world free of crisis – Ted Hardy Carnac, France 2021

Marko – Marko Santic, Croatia 2021

WINNER: Just like Water – Manos Triantafillakis, Greece 2021

 

  1. DEA for the Best Film(Student Film Competition)

NOMINATIONS

Lethal Shopping – Mahay Alayon – Spain 2022

Bolzmann – Janis Westphal, Germany 2022

Batim – Mauro Zaçe, Albania 2022

WINNER: Lethal Shopping – Mahay Alayon – Spain 2022

 

  1. DEA for the Best Film (Documentary Film Competition)

NOMINATIONS

Venice elsewhere – Elia Romanelli, Italy 2022

Hug of Destiny: Jews and Albanians– Jakov Sedlar, Croatia 2019

Our Horizons – Charlotte Cayeux, France 2022

WINNER: Venice elsewhere – Elia Romanelli, Italy 2022

 

  1. Special Documentary Jury Award

WINNER: Hug of Destiny: Jews and Albanians– Jakov Sedlar, Croatia 2019

 

  1. The Media Award (Special Prize) (Short Film Competition)

NOMINATIONS

Tramway – Bartosz Reetz, Poland 2021

Rainbow – Alexander Vujoviç, Montenegro 2021

Repeated Memories – Soo-Min Park, Uzbekistan 2021

WINNER: Tramway – Bartosz Reetz, Poland 2021

 

  1. The Media Award (Special Prize) (Feature Film Competition)

NOMINATIONS

Despite the Fog – Goran Paskaljevic, Italy 2019

Borders, Raindrops – Nikola Miloviv & Vlastimir Sudar, Bosnia Hercegovina / Montenegro / Serbia

Mighty flash – Ainhoa Rodriguez, Spanin 2021

WINNER: Borders, Raindrops – Nikola Miloviv & Vlastimir Sudar, Bosnia Hercegovina / Montenegro / Serbia

 

  1. DEA – Gratitude Award (Lifetime Achievement Award): Muharrem Fejzo – Albanian Film Director

 

  1. DEA Homage (Commemorative Award): Rikard Ljarja – Actor

 

  1. Public Award : Best film – Two Lions to Venice

 

  1. Public Award : Best Actor –Vasjan Lami & Kastriot Çaushi, Two Lions to Venice

The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …

But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…

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