Tolga spends his days without knowing what to do; he refuses the world he lives in with his silence and unresponsiveness while his mother has a very dominant attitude in his life to put everything in the right way.
The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …
But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…