A man who makes his living from his father’s fruit garden, tries to get rid of an electricity pole that is intended to be planted in the middle of his land.
The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …
But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…