The door is open and the customer, an old woman, is dead on the floor. Food delivery man Chia flees frantically on his bike. The next day, he is sent to the same address again. The money he finds there is a temptation, since his sick mother in his distant homeland urgently needs financial assistance. An offbeat death watch between pangs of conscience and magical realism.


Lauri Niemelä



The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …

But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…

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