István becomes the only witness of a deadly road accident, but an influential person wants him to forget what he saw. Is it possible to remain a good man and protect his own family at the same time?
The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …
But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…