media Jury

Ardita Bala

Member of the Jury

Ardita BALA, graduated Journalism from the University of Tirana. Since 2001, it has been an active part of the print and electronic media. Since 4 years, she has been the editor-in-chief of the “ABC morning” show on ABC News TV. Earlier, she worked at Albanian Radio Television as editor-in-chief and at ABC News as editor-in-chief. During her work in the media, she has been a collaborator in several documentaries and reports dedicated to Albania from the French audiovisual media, such as: Arté, France 2, Thalassa, M6 and the international magazines, such as: “National Geographic”, “Elle”, “Le Figaro Magasine”, “Marie Claire”, etc.

Evis Trebicka

Member of the Jury

Evis Trebicka graduated Acting from the “University of Arts”. Since 1998 she has been working as a director at Radio Tirana, Albanian Radio Television. In her long career, she has realized dozens of productions at Radio Tirana in the genres of radio-documentary, radio-dramatizations or various artistic productions. She has directed marathon cycles both live and pre-produced in the studios of Radio Tirana. Among the most successful, we single out: “Live only for show me”, “Song Marathon”, “Red Traffic Light” an Albanian-Dutch production, “Traffic Light”. She also realized the radio documentaries “Punches”, “The truth”, “Dark Site”, “HistoPink” and “Identikit” as well as the children’s trilogy “Balloon of happiness”

Ani Ruçi

Member of the Jury

Ani Ruci is a professional journalist, Deutsche Welles correspondent in Tirana, publisher, translator of literary works and civil society activist for women’s rights in Albania and beyond.

She graduated in Literature, Political Science and Journalism and completed journalism qualifications in London and Boston.

Her passions include traveling in Albania, Europe and the world, painting, music, foreign languages ​​- she speaks fluently and reads some of them – and above all, cinematography.

The cinema is trying to overcome a serious crisis …
This time a global crisis …
This is not the first cinema crisis …
It is not even its first global crisis …

But in contrast to its previous crises – outside it or partially inside it, this
crisis threatened and still threatens the motive of the existence of cinema
in modern times …,
the desire to consume the film together…

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